Unprofaned twilight (2008)

AGLAIA“Unprofaned Twilight”is the forth CD of Aglaia. It is born from the previous works but, incomparison with them, it develops a wider breath directly from thebackground’s sounds. The composition is softer and more refined. Again the sonorous world that here is explored is that one of the enchantment, of the mild soundfading. An unprofaned and inviolate twilight, where the different vibrations are balanced, without any sort of tensions. Time rolls by and space too. The sound is a natural matter and gives birth to an intense crepuscolar light. Listening to this music is like to see thousands of fine luminous rays, filtered through half-closed windows. Adance of dust in a never ending movement that catches the light around.With aglaia’s sound we are in an electroacustic microcosm full ofvibrating signs.
Thefirst of the two long compositions suggests a natural and quietlandscape. The sound’s mood isa sort of perpetual tinkling, wrapped upa voice coming from the space, that observes from afar. An armonicaccordance between different reality.
The second, eventhough more intimate, is equally shining. Everything happens duringanight where insects, spring-waters and moonlight match themselvestogether. As warming midnight with underworld lifes.

Thiscd is a collaboration release between Hic Sunt Leones and Fariarecords,Russia, it will come as usually in a very fine artworks withcards. HSL 046

Available on April 1, 2008

This is joint edition of Faria Records and Hic Sunt Leones.
The fourth cd ofAglaia is born from the previous work but, in comparisonwith them, it develops a wider breath directly from the background'ssounds. The composition is softer and more refined. Again the sonorous world that here is explored is that one of the enchantment, of the mild sound fading. An unprofaned and inviolate twilight, where the different vibrations are balanced, without any sort of tensions. Time rolls by and space too. The sound is a natural matter andgives birth to an intense crepuscolar light. Listening to this musicislike to see thousands of fine luminous rays, filtered through  half-closed windows. A dance of dust in a never ending movement that  catches the light around. With Aglaia's sound we are in an  electroacoustic microcosm full of vibrating signs.
The first of the two long compositions suggests a natural and quiet landscape. The sound's mood is a sort of perpetual tinkling, wrapped up a voice coming from the space, that observes from afar. An harmonic accordance between different reality.
Thesecond, even though more intimate, is equally shining. Everythinghappens during a night where insects, spring-waters and moonlight match themselves together. A swarming midnight with underworld life.